Recycled wood and reclaimed iron work, ideally for hanging items.
A simple length of reclaimed timber, planed smooth and finished with wax, carrying the quiet presence of burnt imagery and script.
The surface has been carefully aged, then marked by hand — the design burned into the wood rather than applied, leaving a permanent impression that sits within the grain itself. Dark lines soften at the edges, echoing ink on paper, weathered by time.
There is a stillness to this piece. A sense of balance. Nothing unnecessary.
Set with three solid iron hooks bought at a building salvage store in San Diego, the board remains practical — made to hold coats, scarves, or everyday objects — yet it carries something more reflective in its form and surface.
The combination of reclaimed British timber and Japanese-inspired mark-making creates a meeting of materials and ideas: utility and quiet craft, use and contemplation.
The board is 92 x 10 cm and is a unique piece. The grain, the burn, the balance — never repeated.
Recycled wood and reclaimed iron work, ideally for hanging items.
A simple length of reclaimed timber, planed smooth and finished with wax, carrying the quiet presence of burnt imagery and script.
The surface has been carefully aged, then marked by hand — the design burned into the wood rather than applied, leaving a permanent impression that sits within the grain itself. Dark lines soften at the edges, echoing ink on paper, weathered by time.
There is a stillness to this piece. A sense of balance. Nothing unnecessary.
Set with three solid iron hooks bought at a building salvage store in San Diego, the board remains practical — made to hold coats, scarves, or everyday objects — yet it carries something more reflective in its form and surface.
The combination of reclaimed British timber and Japanese-inspired mark-making creates a meeting of materials and ideas: utility and quiet craft, use and contemplation.
The board is 92 x 10 cm and is a unique piece. The grain, the burn, the balance — never repeated.